Bio
“Not only does CYNTHIA PHELPS produce one of the richest, deepest viola timbres in the world, she is a superb musician” (Seattle Post-Intelligencer). Principal Violist of the New York Philharmonic, Ms. Phelps has distinguished herself both here and abroad as one of the leading instrumentalists of our time. The recipient of numerous honors and awards, including the Pro Musicis International Award and first prize at both the Lionel Tertis International Viola Competition and the Washington International String Competition, she has captivated audiences with her compelling solo and chamber music performances. She is “a performer of top rank…the sounds she drew were not only completely unproblematical –technically faultless, generously nuanced– but sensuously breathtaking” (The Boston Globe).
Ms. Phelps performs throughout the world as soloist with orchestras, including the Minnesota Orchestra, Shanghai, San Diego, Santa Barbara, Eastern Music Festival and Vermont Symphonies, Orquesta Sinfonica de Bilbao, and Rochester and Hong Kong Philharmonic among others. World-wide, her electrifying solo appearances with the New York Philharmonic garner raves; they have included Berlioz’s Harold in Italy, the Bartok Viola Concerto, Strauss’s Don Quixote, the Benjamin Lees Concerto for String Quartet, the premiere of a concerto written for her by Sofia Gubaidulina and most recently, the premiere of a new concerto by the young composer Julia Adolphe written for her. She has appeared as soloist with the orchestra across the globe, including Vienna’s Musikverein, London’s Royal Festival Hall, and the Concertgebouw in Amsterdam among others.
She has become a familiar and much-admired figure at the world’s foremost concert venues, appearing in recital in Paris, Rome, Los Angeles, Boston and Washington, at New York’s Alice Tully Hall, London’s Wigmore Hall, St. David’s Hall in Cardiff, Wales, as well as in jails, hospitals, and drug rehab centers worldwide. A compelling performer of traditional works, she’s also an advocate of the music of our time, including premieres by Larry Lipkis, for piano quintet and solo viola, and two works by Stephen Paulus, one solo and one commissioned for her by the Tucson Winter Chamber Music Festival for viola and the American String Quartet and for piano quintet.
She has collaborated with such artists as Itzhak Perlman, Pinchas Zukerman, Yo-Yo Ma, Lynn Harrell, and Yefim Bronfman, among others. A much sought-after chamber musician, she performs regularly with the Chamber Music Society of Lincoln Center, the Boston Chamber Music Society, the Guarneri, American, Brentano, St. Lawrence and Prague String Quartets, and the Kalichstein-Robinson-Laredo Trio. She has appeared at the Mostly Mozart, Marlboro, Ravinia, La Jolla, Bravo! Colorado, Santa Fe, and Seattle Festivals, as well as in Europe at the Naples, Cremona, and Schleswig-Holstein Festivals. She is a founding member of the chamber group Les Amies, a flute-harp-viola trio formed with harpist Nancy Allen and flutist Carol Wincenc, and a member of the newly-formed New York Philharmonic String Quartet. She has also been heard on National Public Radio’s St. Paul Sunday Morning, Radio France, and RAI in Italy, and has been featured on The MacNeil/Lehrer News Hour, Live from Lincoln Center, and CBS Sunday Morning.
A devoted educator, Ms. Phelps is on the faculty of The Juilliard School, Mannes and the Music Academy of the West. Her most recent album, for flute, viola, and harp, on Telarc, was nominated for a Grammy Award. Her debut solo recording is on Cala Records, and she can also be heard on the Marlboro Recording Society, Polyvideo, Nuova Era, Virgin Classics, and Koch, and New York Philharmonic labels.
Violist CYNTHIA PHELPS‘s versatile career includes appearances as chamber musician, soloist, and as Principal Violist of the New York Philharmonic, with which she has appeared as soloist on major stages across the globe, performing an extensive repertoire including 2 specially commissioned works; a concerto by composer Julia Adolphe, which also premiered at the Eastern Music Festival, and a double concerto commissioned for her with Associate Principal violist Rebecca Young by the acclaimed Russian composer Sofia Gubaidulina, among other repertoire. She has also been featured in several nationwide “Live from Lincoln Center” telecasts with the Philharmonic and Chamber Music Society of Lincoln Center, and on National Public Radio, Radio France, and RAI in Italy. Other solo appearances include the Minnesota Orchestra, Shanghai, Vermont, and San Diego Symphonies, Orquesta Sinfonica de Bilbao, and Hong Kong Philharmonic. She has collaborated internationally with such artists as Itzhak Perlman, Emmanual Ax, Pinchas Zukerman, Gil Shaham, Yo-Yo Ma, Lynn Harrell, and Yefim Bronfman, among many others, and has given recitals in the major music capitals across the globe.
A much sought-after chamber musician, she performs regularly with the Boston Chamber Music Society, Chamber Music Society of Lincoln Center, and at New York’s Tisch Center for the Arts at the 92nd Street Y, as well as with ensembles including the Kalichstein-Laredo-Robinson Trio, the Guarneri, American, and Brentano String Quartets. She is a frequent guest at the Marlboro, Summerfest LaJolla, Bridgehampton, Vail, Mostly Mozart, Santa Fe, Cremona, and Schleswig-Holstein Festivals and is a founding member of “Les Amies,” a flute-harp-viola trio.
Ms. Phelps many honors include First Prize in both the Lionel Tertis International Viola Competition and the Washington National Competition, and she is a recipient of the Pro Musicis International Award. Her most recent recording, Air, for flute, harp and viola, was nominated for a Grammy Award and her recordings can be heard on the Marlboro Recording Society, Covenant, Nuova Era, Polyvideo, Virgin Classics, and Cala labels, and itunes, in a recording of Harold in Italy with the New York Philharmonic.
Press
Quotes About Cynthia Phelps
“Phelps is one of the more persuasive violists on the solo circuit. She tossed off all technical challenges with ease, and her richness of tone radiated an almost palpable warmth….she exhibited spellbinding pianissimos and unshakable accuracy”
“If there were more Cynthia Phelpses around, there might be more viola recitals…she is a master of her instrument — remarkable technique and warm, full sound.”
“She shapes the viola line as though it were written for voice, not for an instrument …with a lush tone, and phrasing that was carefully nuanced.”
Cynthia Phelps, the orchestra’s stupendous section leader, threads the dark, velvety viola through a shadowed orchestral landscape [Julia Adolphe viola concerto unearth, release. The soloist flaps like a bat against a window in the first movement and skips lightly over the waves in the second. But it’s the final movement that lingers longest in the mind, the viola curling softly on a vaporous pillow of strings.”
“Adolphe brings a gratifyingly original approach to the concerto format and has crafted a poetically haunting meditation that leaves a lasting impression.”
Articles About Cynthia Phelps
Classical Music Classical Classroom, Ep 138: Summer Music – Music Academy Of The West! Sympathy For The Viola With Cynthia Phelps Y’all haters corny with that viola joking mess. Dacia Clay Laugh all you want at the viola – Cynthia Phelps, the New Yor …
Julia Adolphe’s concerto for Cynthia Phelps received its premiere in advance of the New York Philharmonic performance at the Eastern Music Festival. Highlights of the last movement were Phelps’ gorgeous playing of some high harmonics as well as duets with a muted trumpet and an English horn. The writer commented he hopes it gets recorded by Phelps as soloist
Violist Cynthia Phelps will give a recital that explores the potential of her instrument with a varied multi-century program University at Buffalo.
Cynthia Phelps and her ensemble Les Amies, wowed audiences at the historic Asolo Theatre in a program of French masters.
Berlioz’s “Harold in Italy,” with the San Diego Symphony and viola soloist Cynthia Phelps, was a tour de force.
Arts, Briefly Compiled by STEVEN McELROY, Cynthia Phelps, the principal violist of the New York Philharmonic, has performed around the world from Carnegie Hall to Royal Festival Hall in London. On Wednesday she’ll add a new location to the li …
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Photos
Photos by Richard Bowditch. Please contact us for hi-res versions for press, promotion, and concert use.
Media
Cynthia Phelps on her musical background, New York Philharmonic
Cynthia Phelps, Principal Viola at the New York Philharmonic, gives an interview about her musical background.
Cynthia Phelps performs Loeffler’s Two Rhapsodies
Cynthia Phelps performs Loeffler's Two Rhapsodies at the Music Academy Festival Artists Series with oboist Cynthia Koledo DeAlmeida and pianist Warren Jones.
Cynthia Phelps performs Grieg String Quartet, Mvt I
Cynthia Phelps performs Edvard Grieg's String Quartet in G minor, Op. 27 Mvt. 1 - Un poco andante - Allegro molto ed agitato at the Maritime Museum in Oslo, Norway as part of the Kon Tiki Chamber Music Festival along with violinists David Coucheron and Yoonjung Yang, and cellist Efe Baltacigil.
Cynthia Phelps performs Fauré Op. 89 at Bridgehampton CMF
Cynthia Phelps performs Fauré's Piano Quintet in D minor, Op. 89, I. Molto Moderato at the Bridgehampton Chamber Music Festival along with pianist Orion Weiss, violinists Amy Schwartz Moretti and Alexander Sitkovetsky, and cellist Carter Brey.
Cynthia Phelps performs Beethoven Eyeglasses Duo
Cynthia Phelps performs Beethoven's "Eyeglasses" Duo for Viola and Cello WoO 32, Allegro - Minuetto with cellist Efe Baltacigil at the Maritime Museum in Oslo, Norway as part of the Kon Tiki Chamber Music Festival.
Discography
The fourth disc in the New York Legends series presents Cynthia Phelps, Principal Violist of the New York Philharmonic, performing a diverse program for what has been called "the Cinderella of the string orchestra."
Cynthia Phelps performs Mozart's Sinfonia concertante in E-Flat Major for Violin, Viola, and Orchestra, K.364 with violinist Sheryl Staples and the New York Philharmonic.
Cynthia Phelps and cellist Steven Isserlis perform Don Quixote - fantastic variations for cello, viola & orchestra Op.35 with the Minnesota Orchestra conducted by Edo de Waart on this disc of cello concertos with Isserlis.
On this GRAMMY-nominated album of works by Debussy and Takemitsu, harpist Yolanda Kondonassis is joined by friends and colleagues, flutist Joshua Smith, violist Cynthia Phelps, and the string orchestra Oberlin 21 led by Bridget-Michaele Reischl.
Cynthia Phelps is featured in violinist Gary Levinson's disc My New York Years performing in Beethoven's String Trio In D Major, Op. 9, No. 2 and Martinů's Three Madrigals for violin and viola.
Cynthia Phelps performs Cool Fire (2001) by Paul Moravec - a chamber concerto unusually scored for flute and piano quintet - on this disc of Moravec's works from the Bridgehampton Chamber Music Festival.
Cynthia Phelps performs Don Quixote, fantastic variations Op. 35 with cellist Carter Brey and the New York Philharmonic conducted by Bernard Haitink on their disc Principal Soloists Play Bach, Bartók, Mozart & Strauss.
Cynthia Phelps appears on New York Philharmonic principal flutist Jeanne Baxtresser's disc of chamber music for flute, performing François Devienne's Duo for Flute and Viola in C Minor, Op. 5 No. 3.
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