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Jalbert’s piece was grounded in the tonal language and structures of the past, yet is willing to extend them into a contemporary rhetoric. The subscribers reported that they would welcome the chance to hear the piece again; BCMS should take them up on it!
Michael Who? Boriskin, Virtuoso of the Piano. When I think back over the many performances this year that have given me hope for the future of Western classical music, a name very near the top of my list is that of Michael Boriskin.
Music from Copland House has built a sterling reputation as a repertory ensemble championing American Music. One has to marvel at the extraordinary artistic quality of these fine musicians. Pianist Boriskin revealed to us his controlled virtuosity, gorgeous sound, and solid musicianship, from Bermel came some of the most beautiful clarinet playing I have ever heard.
Much of Thursday’s program by Music from Copland House at the Miller Theater beamed cordially outward from the stage while testing the poise, athleticism and sight reading skills of these seven musicians to their limits. What a well-prepared and confidently managed evening it was – it was all exuberance and bright sunshine..
The Music from Copland House ensemble made it all look easy; the scorchingly dramatic Derek Bermel was at his best, along with his outstanding colleagues Nicholas Kitchen and Timothy Fain (violins), and Michael Boriskin in fearless form on piano…the caliber of musicianship here could be a model for chamber music camaraderie.
Boriskin gave a remarkable performance of Copland’s extraordinary Fantasy…a gripping, spontaneous yet tautly controlled performance. The entire recital was an adventure for the audience, with Mr. Boriskin as our fearless trail guide.
