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The NY Times talks about Cynthia Phelps’s superb musicianship and leadership qualities

October 1, 2017

The New York Times noted that being the center of attention suits Cynthia Phelps well…that her visibility, along with her superb musicianship and her leadership qualities, makes her an apt a symbol of the orchestra.

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Moab Music Festival marks 25 years of music among the rocks

August 26, 2017
Moab Music Festival marks 25 years of music among the rocks Another season of “music in concert with the landscape” is opening next week. August 26, 2017                 By Catherine Reese Newton
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Cynthia Phelps’s “gorgeous” playing in Premiere of Julia Adolph’s new concerto

July 16, 2017

Premiere of Julia Adolph’s viola concerto written for violist Cynthia Phelps at the Eastern Music Festival is a a substantial contribution to the repertoire…I hope it gets recorded by Phelps as soloist.

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Pierre Jalbert’s “exquisitely defined” chamber music “expertly played” by Music from Copland House

June 20, 2017

“Pierre Jalbert writes music that is direct, speaks to the mind, heart, and soul, traverses a musical landscape, and expresses a wide range of emotion,” the Huffington Post said.  On Secret Alchemy [with] Music from Copland House… the four works are played expertly and the sound is to perfection.  Standouts are violinist Curtis Macomber and pianist Michael Boriskin who appear on most of the pieces.

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Review: St. Paul Chamber Orchestra premieres Pierre Jalbert’s Violin Concerto

June 11, 2017

“The concerto’s most arresting music came in the outer sections of the opening movement, where slithering piano glissandos and twinkling percussion meshed with wispy violins to conjure a magically airborne texture.”

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Pierre Jalbert’s evocative violin concerto with the Saint Paul Chamber Orchestra

June 9, 2017

SPCO concertmaster Steven Copes took the stage as soloist for Jalbert’s Violin Concerto. By turns haunting and menacing in the early going, the two-movement concerto became an absorbing meditation.

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