“Hila Plitmann makes a secure, soaring protagonist,” according to Music Web International, she “makes a tremendous job of what is clearly a hugely demanding solo part.”
Press and News
March 2, 2022
Gramophone comments “The vocal part is lyrically soothing yet vocally acrobatic, and terrifyingly exposed… Plittman is unfazed and hypnotic in her crystalline, sorceress-like declamation.”
New Music Box says “Piltmann was a standout soloist [Zappa 200 Motels], hitting elaborate coloratura lines with laser precision while still being engrossingly expressive.”
Review: George Benjamin, at Mostly Mozart, Shows Depth as a Conductor Mr. Benjamin demonstrated to a nearly full house at Alice Tully Hall that he is a highly skilled conductor. In a program
NPR’s Tom Huizenga chose Mahani Teave’s Tiny Desk (home) concert from Rapa Nui as the Best of 2021: “It’s not only the fine performances, but also the fairytale-like backstory which clinches this as my favorite Tiny Desk (home) concert of the year.”
January 4, 2022
Washington DC’s Cultural magazine District Fray said “Dove’s fresh, vulnerable assertion and Graham’s deeply moving vocals” Seem to “walk hand in hand. Danielpour’s composition acted as the conduit to link songwriter to songstress and instrumental ensemble, a collaborative foursome that redefines what it is to listen to fine music in the twenty-first century. If a world-class opera could come with required reading, “Playlist for the Apocalypse” would be ours — but if we’re to stand witness to an apocalypse, we’d rather do it with this group.”
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