{"id":1425,"date":"2017-12-10T00:00:27","date_gmt":"2017-12-10T05:00:27","guid":{"rendered":"http:\/\/dworkincompany.com\/site\/?p=1425"},"modified":"2022-01-28T00:45:08","modified_gmt":"2022-01-28T05:45:08","slug":"fain-blazed-through-some-of-the-flashiest-riffs-with-impressive-authority-at-carnegie-hall","status":"publish","type":"post","link":"https:\/\/dworkincompany.com\/site\/fain-blazed-through-some-of-the-flashiest-riffs-with-impressive-authority-at-carnegie-hall\/","title":{"rendered":"Fain blazed through some of the flashiest riffs with impressive authority at Carnegie Hall"},"content":{"rendered":"<h2>Review: Philip Glass, Easy to Mimic but Hard to Match<\/h2>\n<p><strong>By\u00a0SETH COLTER WALLS\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n<figure id=\"attachment_1415\" aria-describedby=\"caption-attachment-1415\" style=\"width: 196px\" class=\"wp-caption alignleft\"><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-1415\" src=\"https:\/\/dworkincompany.com\/site\/wp-content\/uploads\/2017\/12\/ACO-TF-24910022_1769663049713659_9201976690866776643_n.jpg\" alt=\"\" width=\"196\" height=\"260\" srcset=\"https:\/\/dworkincompany.com\/site\/wp-content\/uploads\/2017\/12\/ACO-TF-24910022_1769663049713659_9201976690866776643_n.jpg 724w, https:\/\/dworkincompany.com\/site\/wp-content\/uploads\/2017\/12\/ACO-TF-24910022_1769663049713659_9201976690866776643_n-226x300.jpg 226w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><figcaption id=\"caption-attachment-1415\" class=\"wp-caption-text\">Photo: Jennifer Taylor photography<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Mr. Glass\u2019s own work was represented by his 2009 Violin Concerto No. 2, subtitled \u201cThe American Four Seasons.\u201d This nod to Vivaldi was appropriate for a night of musical responses, but in this case the resemblances between old and new were only passing ones. Mr. Fain was the soloist, and he blazed through some of Mr. Glass\u2019s flashiest riffs with impressive authority. Under the conductor George Manahan, the orchestra maintained a firm grasp on the chugging rhythms.&#8221;<\/p>\n<p>Read the full <a href=\"https:\/\/www.nytimes.com\/2017\/12\/10\/arts\/music\/review-philip-glass-american-composers-orchestra.html?_r=0\">review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review: Philip Glass, Easy to Mimic but Hard to Match By\u00a0SETH COLTER WALLS\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &#8220;Mr. Glass\u2019s own work was represented by his 2009 Violin Concerto No. 2, subtitled \u201cThe American Four [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1415,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"related-artist":[15],"class_list":{"0":"post-1425","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-press","8":"related-artist-tim-fain","9":"entry"},"_links":{"self":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/comments?post=1425"}],"version-history":[{"count":3,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1425\/revisions"}],"predecessor-version":[{"id":3267,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1425\/revisions\/3267"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media\/1415"}],"wp:attachment":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media?parent=1425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/categories?post=1425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/tags?post=1425"},{"taxonomy":"related-artist","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/related-artist?post=1425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}