{"id":1569,"date":"2017-05-11T00:00:43","date_gmt":"2017-05-11T04:00:43","guid":{"rendered":"http:\/\/dworkincompany.com\/site\/?p=1569"},"modified":"2022-01-28T01:43:39","modified_gmt":"2022-01-28T06:43:39","slug":"jalbert-met-museum-4tet-premiere-ny-times","status":"publish","type":"post","link":"https:\/\/dworkincompany.com\/site\/jalbert-met-museum-4tet-premiere-ny-times\/","title":{"rendered":"Jalbert&#8217;s String quartet No. 6 premiered at the Metropolitan Museum by Chiara Quartet"},"content":{"rendered":"<h2 class=\"Heading2-heading2--2UY6W elementStyles-heading2--slXZ7 elementStyles-toneFeature--9px5Z elementStyles-left--1xjFi\">Gritty Yet Soulful<\/h2>\n<p>&nbsp;<\/p>\n<p>Pierre Jalbert runs through a series of effects In his \u201cCanticle (String Quartet No. 6),\u201d written for the adventuresome Chiara players and given its New York premiere at the Metropolitan Museum of Art: violinists doubling on crotales (small bells), struck or bowed; the cellist caught up in harmonics; violinists and violist using small glass rods as bouncing bows. The work is alternately contemplative and gritty, Mr. Jalbert said from the stage, \u201creflective of the time we currently live in,\u201d but it ends in utter serenity, in a movement headed \u201cSoulful, mysterious,\u201d with the first violinist bowing a bell and the other players bowing their instruments in a fading pianissimo.<\/p>\n<p>&nbsp;<\/p>\n<p>See the full\u00a0<a href=\"https:\/\/www.nytimes.com\/2017\/05\/12\/arts\/music\/a-valiant-return-to-the-met-opera-this-weeks-8-best-classical-music-moments.html?mcubz=3&amp;_r=0\">review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gritty Yet Soulful &nbsp; Pierre Jalbert runs through a series of effects In his \u201cCanticle (String Quartet No. 6),\u201d written for the adventuresome Chiara players and given its New York premiere at the Metropolitan Museum of Art: violinists doubling on crotales (small bells), struck or bowed; the cellist caught up in harmonics; violinists and violist [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"related-artist":[13],"class_list":{"0":"post-1569","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-press","7":"related-artist-pierre-jalbert","8":"entry"},"_links":{"self":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/comments?post=1569"}],"version-history":[{"count":2,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1569\/revisions"}],"predecessor-version":[{"id":3288,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/1569\/revisions\/3288"}],"wp:attachment":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media?parent=1569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/categories?post=1569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/tags?post=1569"},{"taxonomy":"related-artist","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/related-artist?post=1569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}