Read more here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"BBC Music Magazine, Concerto Choice \u201cWith a highly charged first movement, Kernis sets his stall with intense drama before a fabulously film noir-ish second movement. Smokey, muted trumpets, a song-like lamentation on the violin and a frisson of kit-percussion makes this a standout turn from both composer and soloist. The final movement is a wilder […]<\/p>\n","protected":false},"author":6,"featured_media":1909,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[8],"tags":[],"related-artist":[16],"class_list":{"0":"post-2317","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news","8":"related-artist-aaron-jay-kernis","9":"entry"},"_links":{"self":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/2317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/comments?post=2317"}],"version-history":[{"count":1,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/2317\/revisions"}],"predecessor-version":[{"id":2319,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/2317\/revisions\/2319"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media\/1909"}],"wp:attachment":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media?parent=2317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/categories?post=2317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/tags?post=2317"},{"taxonomy":"related-artist","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/related-artist?post=2317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/dworkincompany.com\/site\/wp-content\/uploads\/2018\/09\/Ehnis-disc-2018-300x300.jpg\")
\u201cWith a highly charged first movement<\/b>, Kernis sets his stall with intense drama before a fabulously film noir-ish second<\/b> movement<\/b>. Smokey, muted trumpets, a song-like lamentation on the violin and a frisson of kit-percussion makes this a standout<\/b> turn from both composer and soloist. The final movement is a wilder extension of this jazz-tinged mode, and the thrilling final minute-and-a-half<\/b> sees Ehnes bowing, picking, and plucking to a frenzied finish.\u201d<\/p>\n