{"id":910,"date":"2014-07-01T00:00:06","date_gmt":"2014-07-01T04:00:06","guid":{"rendered":"http:\/\/dworkincompany.com\/site\/?p=910"},"modified":"2022-01-30T01:47:34","modified_gmt":"2022-01-30T06:47:34","slug":"fain-glass-cd-gramophone","status":"publish","type":"post","link":"https:\/\/dworkincompany.com\/site\/fain-glass-cd-gramophone\/","title":{"rendered":"Fain&#8217;s power, precision and deeply expressive playing on Philip Glass album"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-full wp-image-679\" src=\"https:\/\/dworkincompany.com\/site\/wp-content\/uploads\/2017\/11\/Gramophone-logo-e1510813730481.jpg\" alt=\"\" width=\"500\" height=\"101\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>July 2014<\/p>\n<p>&nbsp;<\/p>\n<p>Tim Fain&#8217;s combination of Power, precision and deeply expressive playing has made his recordings almost as ubiquitous as Philip Glass&#8217;s music. Chances are that you have already heard his distinctive violin on soundtracks to <em>Black Swan<\/em> or <em>Twelve Years a Slave<\/em>, but there are far more strings to this violinist&#8217;s bow than film music.<\/p>\n<p>Fain&#8217;s debut recording, &#8216;Arches&#8217; (Image Recordings, 2008), featured new works\u2028for solo violin by Kevin Puts and Daniel Ott alongside an impressively controlled performance of Bach&#8217;s Solo Partita No 2 in D minor. One can see why Glass was keen to collaborate further: his transparent and direct style demands crystal-clear articulation and razor-sharp accuracy, attributes that Fain\u2019s playing possesses in abundance.<\/p>\n<p>The Partita for solo violin, composed especially for Fain in 2011, comprises seven movements&#8230; Fain&#8217;s brilliant, scintillating rendition of &#8216;Knee 2&#8217; from <em>Einstein on the Beach<\/em>, previously heard on &#8216;River of Light&#8217; (Naxos 8.559662), is also included.<\/p>\n<p>The disc ends with a set of four Interludes for solo violin. Again, Fain&#8217;s incisive playing cuts through, and is altogether more direct and immediate than Robert McDuffie&#8217;s live recording with Marin Alsop and the LPO (Orange Mountain, 12\/l0). <strong>Pwyll ap Si\u00f4n<\/strong><\/p>\n<p><a href=\"https:\/\/www.gramophone.co.uk\/review\/glass-partita-for-solo-violin\">Read the full review in the magazine<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Glass<\/strong><\/p>\n<p>Partita. Einstein on the Beach \u2013 Knee 2.<\/p>\n<p>Book of Longing \u2013 solo violin music.<\/p>\n<p>Violin Concerto No 2 \u2013 Interludes<\/p>\n<p><strong>Tim Fain<\/strong> vn<\/p>\n<p>Orange Mountain Music OMM0050 (46\u2019 \u009f DDD)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; July 2014 &nbsp; Tim Fain&#8217;s combination of Power, precision and deeply expressive playing has made his recordings almost as ubiquitous as Philip Glass&#8217;s music. Chances are that you have already heard his distinctive violin on soundtracks to Black Swan or Twelve Years a Slave, but there are far more strings to this [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":820,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[6],"tags":[],"related-artist":[15],"class_list":{"0":"post-910","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-press","8":"related-artist-tim-fain","9":"entry"},"_links":{"self":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/comments?post=910"}],"version-history":[{"count":4,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/910\/revisions"}],"predecessor-version":[{"id":3336,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/posts\/910\/revisions\/3336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media\/820"}],"wp:attachment":[{"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/media?parent=910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/categories?post=910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/tags?post=910"},{"taxonomy":"related-artist","embeddable":true,"href":"https:\/\/dworkincompany.com\/site\/wp-json\/wp\/v2\/related-artist?post=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}