In addition to a virtual season of performance films, classical music nonprofit Musaics of the Bay has launched a Stay-at-Home Symposium, a collaborative springboard for new compositions, artistic works and programming…
Press and News
STAY AT HOME SYMPOSIUM Have you been flexing some creative muscles but haven’t shared your work yet? Here’s your chance: submit a work of poetry or prose, paintings, photographs or more to the Stay-at-Home Symposium, a community collaboration and music series led by Musaics of the Bay.
Kernis’ “Siren for Solo Flute, 7 Flutes and Piccolo” was commissioned by and premiered at the Seattle Chamber Music Festival. The Seattle Times said “The incredibly nimble flutist Marina Piccinini played all the parts. The intricacy of the interweaving musical lines, the wonderfully dexterous and subtle playing, and the sheer virtuosity of Piccinini’s technique were all heightened by the clever manipulation of the images. This performance must be seen and heard to be believed.”
June 26, 2020
Gapplegate Music Review blog said “There is a commanding sense of orchestral color that is matched by an ever-burgeoning inventive continuousness” in Kernis’s new Naxos disc with Giancarlo Guerrero and the Nashville Symphony,”…masterful fare, brilliantly expansive…Kernis deserves your attention, especailly this one.”
April 23, 2020
THE MOAB MUSIC FESTIVAL IS PLANNING ON MUSIC, AND SO SHOULD YOU! The Moab Music Festival’s 28th season runs the gamut from new and beloved chamber music to Latin, with Paquito D’Rivera’s Quintet, and jazz, The Manhattan Transfer and The Hot Sardines. MMF Artistic Director and violist, Leslie Tomkins, and pianist and MMF Music Director Michael Barrett have also devised a singular tie-in to the worldwide celebrations of Ludwig van Beethoven’s 250th birthday.
Marina Piccinini, flute * Kim Kashkashian, viola * Sivan Magen, harp
“Many good things have come out of the Marlboro Music Festival over the years and this meeting of musical minds is up there with the best of them. Three musicians with absolute conviction, bringing to life both the music’s nostalgia and its dancing joy.” Strad
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