Out-of-the-box management, PR, and project planning for visionary artists and institutions
The New York Classical Review commented about MCH’s inaugural concert at The Graduate Center, CUNY “Good news: Copland House concerts now come to Manhattan …wonderful music, warm performances, full of humanity and empathy, confident and transparent.”
America’s musical past and future meet in a provocative new concert series The Graduate Center, CUNY and Copland House will launch on November 4th. These performances will champion a century of America’s vibrant musical legacy, within the context of broad cultural, historical, and societal currents. The six-concert series ranges widely, from performances of early 20th century masters and an evening of major chamber works by Aaron Copland to musical explorations inspired by identity and assimilation, spiritual journeys, and the intersection of visual art and music.
Not many flute concertos suggest the grandeur of a Wagner opera. Fewer, likely, take inspiration from Jethro Tull, the progressive rock band that packed arenas in the 1970s and ‘80s. But these are among the ingredients in Aaron Jay Kernis’s Flute Concerto (2015), which flutist Marina Piccinini performs on a new Naxos recording with conductor Leonard Slatkin and Peabody Symphony Orchestra.
Pierre Jalbert’s new violin concerto performed by Margaret Batjer and the Los Angeles Chamber Orchestra and conductor Jeffrey Kahane just released on BIS.
According to the Denver Post, “There are outdoor concerts and then there are concerts in the outdoors. The Moab Music Festival is an event that has perfectly combined music with the surrounding landscape and invites guests to come along for one-of-a-kind performances.”
Introducing… Sleepover at the Museum. A new multimedia orchestral work by composer and author Karen LeFrak.
