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Be Dazzled by a New Concerto by Kernis Composed for Violinist James Ehnes (Melbourne Symphony)

April 15, 2018
Tchaikovsky 5 (Melbourne Symphony Orchestra) Buy Tchaikovsky and be dazzled by a new concerto by Kernis composed for violinist James Ehnes. by Tony Way   April 15, 2018 April 13, 2018 Hamer Hall,
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  • Events

NEC premieres Kernis 4th Symphony April 18, Symphony Hall, Boston

April 11, 2018

Hugh Wolff and the New England Conservatory Philharmonia celebrate 150 years with the premiere of Aaron Jay Kernis’s 4th Symphony (“Chromelodeon”) at Symphony Hall in Boston on April 18th.

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  • Press

Gramophone reviews Kernis’s Dreamsongs: Three Concertos

April 11, 2018

Aaron Jay Kernis’s Dreamsongs disc was recently released on Signum Records with the Royal Northern Sinfonia and conductor Rebecca Miller. Gramophone magazine commented “both concertos are highly virtuoso…the efficacy of the Viola Concerto is certainly aided by an excellent performance by longtime Kernis exponent Paul Neubauer. Joshua Roman’s outstanding performance of the cello concerto is the disc’s highlight…Roman’s extraordinary performance combines the expressive control of Casals with the creative individuality and virtuoso flair of Hendrix himself.

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  • Press

Boriskin’s Gershwin with Eos Orchestra makes “1,000 Recordings to Hear Before You Die” List

March 13, 2018

Boriskin wisely understates [Rhapsody in Blue’s] familiar declarative themes, and yet his solo passages, particularly the galloping accelerando that erupts shortly after the ten-minute mark on the CD, are executed with a mix of showbiz panache and jazzbo brazenness.

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  • Events

Sasha Cooke performs Jalbert with Orchestre Metropolitain March 28 – 30

March 3, 2018

Mezzo-soprano Sasha Cooke performs Pierre Jalbert’s eloquent From Dusk to Starry Night with Montreal’s Orchestre  Metropolitain  March 28 – 30th. The work was written for her and premiered in 2015.

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  • Press

Jalberts new violin concerto is sophisticated, constantly exploring delicately layered textures

February 21, 2018

Pierre Jalbert’s new two-movement concerto for violin and orchestra received a premiere by soloist Frank Almond and co-commissioner Milwaukee Symphony. The Milwaukee Shepherd called the music “sophisticated and episodic, constantly exploring delicately layered textures. Mysterious, shimmering sounds were intricately orchestrated,” saying “Jalbert writes in a way that flatters the solo violin, with unusual tremolos and trills, building in a pleasing natural balance between soloist and orchestra.”

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